Lucien Enjolras (
untamedantinous) wrote2024-01-27 11:10 pm
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six: silence before jean-jacques (open)
A wildfire burns quickly and hot until it is extinguished. In some cases, Enjolras' passion has been likened to a fire. Here at the mansion that fire tends to be mostly banked; but the embers remain. It is easy enough to stir it into wakefulness; and Enjolras' dreams of late have done just that. (They have passed, now, but the burning need to do something remains.) So he is in the café as he usually is, sat at a large table with various piles of writings strewn about.
Off to the side, one might note a flier that is still obviously a work in progress, set off to dry a bit while he works on something else. The general air of disarray suggests that he has certainly been here for hours at least, though he does look a good deal happier than he had the last time he had taken refuge in the café. The warmth and fire of his passion has awoken another familiar friend: writing like he's running out of time.1 It is in truth very much what he would be doing in Paris, and there is a relaxed pleasure that is evident in the way he sits, in making himself feel useful even if it is for goals of his own making.
He has clearly been at it for some time, fingers inkstained and coffee grown cold beside him. There is a copy of The Social Contract open in front of him, and every so often he makes a thoughtful noise, writes a few things down, then turns to the next page. It is truly only a thought exercise that he's working on, a passing fancy to abridge a work that he is already intensely familiar with; but he appreciates the challenge. It is entirely different from the other, more private writings he has been working on, which are kept in a small notebook currently buried under all those sheets of paper. Regardless, the work pleases him --though the coffee does not. He picks his cup up to take a sip, makes a face, and rises to go start himself another.
1 Wrong musical, same vibes.
Off to the side, one might note a flier that is still obviously a work in progress, set off to dry a bit while he works on something else. The general air of disarray suggests that he has certainly been here for hours at least, though he does look a good deal happier than he had the last time he had taken refuge in the café. The warmth and fire of his passion has awoken another familiar friend: writing like he's running out of time.1 It is in truth very much what he would be doing in Paris, and there is a relaxed pleasure that is evident in the way he sits, in making himself feel useful even if it is for goals of his own making.
He has clearly been at it for some time, fingers inkstained and coffee grown cold beside him. There is a copy of The Social Contract open in front of him, and every so often he makes a thoughtful noise, writes a few things down, then turns to the next page. It is truly only a thought exercise that he's working on, a passing fancy to abridge a work that he is already intensely familiar with; but he appreciates the challenge. It is entirely different from the other, more private writings he has been working on, which are kept in a small notebook currently buried under all those sheets of paper. Regardless, the work pleases him --though the coffee does not. He picks his cup up to take a sip, makes a face, and rises to go start himself another.
1 Wrong musical, same vibes.
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1 Well. The dragon does.
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"You haven't got a speck of interest in what attracts people to a space beyond the most central basics, have you?" she asks, curious enough to set aside her idle considerations of sparking some sort of reaction. "No affinity for ambiance or mood."
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She pushes her chair back into place. She shall make tea in the kitchens. "Good day, sir. Best of luck with future endeavors."
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She'd thought Enjolras an interesting young man during their first meeting, but she's been wrong before and this shan't be the last time, either. The least he could do would be to look interested in debating the issue! And why must men be so insistent on apologizing for things that absolutely don't matter? Tastes needn't align; her point was merely that assuming one's tastes to be universal is a recipe for disaster!
She strides off with no further acknowledgement.