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six: silence before jean-jacques (open)
Jan. 27th, 2024 11:10 pmA wildfire burns quickly and hot until it is extinguished. In some cases, Enjolras' passion has been likened to a fire. Here at the mansion that fire tends to be mostly banked; but the embers remain. It is easy enough to stir it into wakefulness; and Enjolras' dreams of late have done just that. (They have passed, now, but the burning need to do something remains.) So he is in the café as he usually is, sat at a large table with various piles of writings strewn about.
Off to the side, one might note a flier that is still obviously a work in progress, set off to dry a bit while he works on something else. The general air of disarray suggests that he has certainly been here for hours at least, though he does look a good deal happier than he had the last time he had taken refuge in the café. The warmth and fire of his passion has awoken another familiar friend: writing like he's running out of time.1 It is in truth very much what he would be doing in Paris, and there is a relaxed pleasure that is evident in the way he sits, in making himself feel useful even if it is for goals of his own making.
He has clearly been at it for some time, fingers inkstained and coffee grown cold beside him. There is a copy of The Social Contract open in front of him, and every so often he makes a thoughtful noise, writes a few things down, then turns to the next page. It is truly only a thought exercise that he's working on, a passing fancy to abridge a work that he is already intensely familiar with; but he appreciates the challenge. It is entirely different from the other, more private writings he has been working on, which are kept in a small notebook currently buried under all those sheets of paper. Regardless, the work pleases him --though the coffee does not. He picks his cup up to take a sip, makes a face, and rises to go start himself another.
1 Wrong musical, same vibes.
Off to the side, one might note a flier that is still obviously a work in progress, set off to dry a bit while he works on something else. The general air of disarray suggests that he has certainly been here for hours at least, though he does look a good deal happier than he had the last time he had taken refuge in the café. The warmth and fire of his passion has awoken another familiar friend: writing like he's running out of time.1 It is in truth very much what he would be doing in Paris, and there is a relaxed pleasure that is evident in the way he sits, in making himself feel useful even if it is for goals of his own making.
He has clearly been at it for some time, fingers inkstained and coffee grown cold beside him. There is a copy of The Social Contract open in front of him, and every so often he makes a thoughtful noise, writes a few things down, then turns to the next page. It is truly only a thought exercise that he's working on, a passing fancy to abridge a work that he is already intensely familiar with; but he appreciates the challenge. It is entirely different from the other, more private writings he has been working on, which are kept in a small notebook currently buried under all those sheets of paper. Regardless, the work pleases him --though the coffee does not. He picks his cup up to take a sip, makes a face, and rises to go start himself another.
1 Wrong musical, same vibes.
